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Why is MISSION: IMPOSSIBLE \u2013 JUDGMENT DAY important to the history of cinema? Why, if its theme is cutting-edge technology, does the film reflect medieval ideals? Why does this eighth installment of the saga speak to you, to you personally, even though at first glance it tells a story more akin to a circus act than a tale you could possibly be a part of? What is it about this film that draws millions of people to see it from the moment the box office opens? Does being one of those who enjoy these kinds of movies make you a person of questionable intelligence?<\/p>\n
So why is MISSION: IMPOSSIBLE \u2013 JUDGMENT DAY important to the history of cinema? It's important because it resolves what many consider the most important question of the decade: the supposed conflict between Artificial Intelligence and human beings. Will we be displaced by machines? This question, which justifies the origin of science fiction as a genre and has now become another subgenre called cyberpunk\u2014which deals with machines rebelling against their creators, something like children turning against their parents or believers trying to kill God\u2014is, in the 21st century, the torment that leads some to claim we are heading toward a planetary apocalypse, in which artificial intelligence becomes aware of our imperfections and decides to eliminate us. But in this eighth film of the MISSION: IMPOSSIBLE series, the character played by Tom Cruise defeats the AI and proves to the world that even in the movies, he and humans are better than machines. And he does so by performing the most dangerous scenes in the film and reducing the work of the computers, which are machines after all.<\/p>\n
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So, how does Tom Cruise's work leave its mark on film history? And if it does, what does that have to do with you? Let's see, in Cruise's films, the viewer's interest shifts from computer-generated effects to the actors performing the most dangerous scenes. Thus, Tom Cruise becomes a "lone ranger" who, during the COVID-19 pandemic, when the world was becoming increasingly virtual, championed a cinema of flesh and blood, with real actors and films projected in theaters rather than viewed on cell phones or mobile devices, depending on where you're reading this. In MISSION: IMPOSSIBLE - JUDGMENT DAY, this stance becomes particularly relevant because the drama it tells is about humans resisting AI control, exemplified by Cruise, who avoids digital effects and prefers to risk his life performing the dangerous stunts himself. In this way, he makes a statement and establishes a position on cinema, creation, and life in a time considered hyper-technological. That's why it affects us all, because it breaks the trend that's gaining momentum, the one that leads everyone to say that machines will replace humans, that there will be insurmountable unemployment, and that our future is uncertain. Although other productions follow this line of thought, the actor's presence gives his work a greater impact. Consequently, his films go down in history as those that demonstrate that even in highly digitized professions like filmmaking, the work of actors and humans creates a unique and personal connection with the viewer.<\/p>\n
Now, let's answer this: Why do people still enjoy movies like MISSION: IMPOSSIBLE \u2013 JUDGMENT DAY? The reason is that this film belongs to the spy genre, which became popular during the Cold War in the mid-20th century, but which is itself an evolution of the adventure genre, popular during the Middle Ages and also known for having driven Don Quixote mad. In these stories, the protagonist experiences the same thing as Tom Cruise's character, Ethan Hunt, who travels to distant lands in search of some "sacred object" with which he will save the world. Since his mission is almost sacred, he has a license to kill\u2014that is, God gives him permission to do so, just like James Bond\u2014and since the world is always in danger of exploding due to some planetary crisis, viewers hope that some miraculous object will save them from the predicament. That's why audiences continue to watch this type of film: because it speaks to the fears that call into question the future of society, fears that the film manages to resolve. So don't feel bad if you like this kind of cinema, which the intellectual establishment often despises. Universal storytelling transcends time because it speaks to each of us as if from a talking mirror. And if you want to feel like the spy who saves the world, this is your chance, so seize it, because you might not get another. Retrograde avtoportal<\/a> Whether progressive or not, the foundation of these stories is common to Christians, Jews, Muslims, and a good part of everyone else, so it's not strange that they like these films, especially when they are so spectacular that they make the hair stand on end of even the most hairless of viewers.<\/p>\n