In a desolate village, along a dusty road, in dim light, a group of women, clutching photographs of their dead to their chests, walk in procession towards the perfectly delimited cemetery: On one side are the graves of Christians, and on the other, those of Muslims. They are carrying the coffin of a teenager. The film begins and ends with this scene, and the question becomes clear. So where do we go now?

The women of that warring village, united by the bonds of land and friendship, They decide to overturn the mandate their men live by, a mandate imposed by an ancestral and patriarchal culture that forces them to disregard one another in the name of religion. Using their wit and cunning, they manage to melt the men's anger and thirst for revenge, leading them to accept that everyone belongs in this space because they are brothers and sisters, they have known each other forever, and they are aware of each other's strengths and weaknesses. The mission is accomplished when the men understand that they, like the women and children, are victims, because the role of perpetrator of violence is a suffering they endure with pain.

That last deceased person will no longer rest in either of the two designated areas of the cemetery, because before being Christian or Muslim, he is one of them. Hence the question: where do we go now?

This dark comedy or dramedy is directed by Lebanese Nadine Labaki, who also acts in the film.